Rooms that
remember how
to be lived in.
A practice rooted in restraint, patina, and the quiet intelligence of a room. Each project begins with the building's longer memory — its grain, its light, the way doors prefer to open — and ends in something that looks as if no one designed it at all.
Casa del Olivar
Mallorca · 2024A 17th-century farmhouse rebuilt around a single olive tree the family refused to fell. Lime-washed plaster, reclaimed elm, and a kitchen that opens directly onto the orchard.
Hotel Vermeer, Suite 7
Antwerp · 2023Twelve rooms above a former tobacco merchant. We kept the cast-iron columns, added a brass-and-walnut vanity, and lined the corridors in dyed silk.
Apartment 4F
Lisbon · 2022Edda & Roe Atelier
Copenhagen · 2024Maison Brioude
Auvergne · 2021House on Rue Talma
Paris 16e · 2025A pied-à-terre for an editor of poetry. We worked in three colours and four textures, and refused every fifth thing.
Trattoria Querce
Florence · 2023Forty-two seats inside a former leatherworker's shop. The original cutting tables became the bar; everything else is what was already in the room, refinished by hand.
The Long Kitchen
Bath · 2024Twenty-eight feet of smoked oak, a single deep basin in pietra serena, and no upper cabinets. Storage was solved beneath the floor.
Hauer Gallery
Vienna · 2022Quiet House
Schiermonnikoog · 2021Mill at Vrána
South Bohemia · 2020Project
Index
- Casa del OlivarResidential · Restoration2024View
- Hotel VermeerHospitality · 12 rooms2023View
- Apartment 4FResidential · Refurbishment2022View
- Edda & Roe AtelierCommercial · Studio2024View
- Maison BrioudeHeritage · Listed building2021View
- House on Rue TalmaResidential · Pied-à-terre2025View
- Trattoria QuerceHospitality · F&B2023View
- The Long KitchenResidential · Kitchen2024View
- Hauer GalleryCommercial · Exhibition2022View
- Quiet HouseResidential · Coastal2021View
- Mill at VránaHeritage · Adaptive reuse2020View
Maren walked the apartment three times before she said a word about it. The plan she gave us six weeks later was almost entirely about subtraction — and it is the most generous home we have ever lived in. — Inès & Théo Lavarenne, Paris
Begin a project
with the studio.
We take on six private commissions a year, and a small number of hospitality and heritage projects. Enquiries open through the spring.
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